#Gnarls barkley st. elsewhere songs how to#

Regardless of the motives of this seemingly random collaboration between the crooner and the producer, “St. A convenient ploy for two artists to rise quicker? An avenue to explore a sound cooked up overnight? Elsewhere” off as nothing more than a mere concept album.

#Gnarls barkley st. elsewhere songs how to#

The tracks are a well-contrived product of two unique minds.Įach track stays smart, knowing how to just push the limits that won’t take the listener outside of their comfort sound. These flaws are minor, though, and can’t take away from the fact that the album is a solid effort. Appearing to be a forced effort at times, the feel of having these two artists in the studio seems to fade and on a few tracks, it appears that there was no chemistry. The same can be said for “Transformer,” although the latter somehow successfully manages to pull off the chaos.Ī few other songs weigh down this disc. There is a such thing as over-production, and the song “Storm Coming” is evident of that. The band reaches new levels of its creativity on “Gone Daddy Gone.” Charged with Green’s erratic lyrics and Danger Mouse’s chaotic production, “Gone Daddy Gone” stands with none other on this disc. Elsewhere” is chaotic and eclectic, making the album all the more enjoyable.ĭanger Mouse and Cee-Lo aren’t afraid to take risks and since both artists are already “out there,” it’s only fitting that they travel together. The track rattles with a grandeur unheard of since the Motown era. “Smiley Faces” (easily one of the best tracks on the disc) flows with its eccentric rhythms and harmonizing. Green allows his soulful, yet gritty vocal lift its hit single “Crazy” into ultimate catchiness. Elsewhere” opens with the rousing “Go-Go Gadget Gospel.” The track seems more like a magical space ride of funk reminiscent to Bootsy Collins and Parliament-Funkadelic. In fact, the group sounds like Outkast stuck in a 70s disco after church service.Ĭee-Lo’s vocals are derived from soul and gospel roots, styles of music which he honed as a former member of the Georgia-based rap group Goodie Mob.ĭanger Mouse is the man behind the brilliant Beatles/Jay-Z mash-up “The Grey Album,” and is also responsible for the success of “Demon Dayz” by the Gorillaz Cee-Lo even gave The Pussycat Dolls their first hit.

The album seamlessly blends together funk, hip-hop, R&B and electronica, which produces a refreshing sound that breathes well-needed life into the now-predictable music industry. Elsewhere,” Gnarls Barkley is a force to be reckoned with. The fusing together of singer and rapper “Cee-Lo” Green with producer DJ Danger Mouse was not only a mad scientist experiment gone terribly correct, but collaborating at its sheer best.